![]() Opening the door of their first formal collaboration The Dark Pool (1995) reveals a world frozen in time. Today, the short stories of Franz Kafka and Jorge Luis Borges, combined with the shadows of film noir, inspire the sculptural narratives of their exhibition at Modern Art Oxford: ‘The House Of Books Has No Windows’. Later, the artist collaborated with Miller and they won critical acclaim at the Venice Biennale 2001 for The Paradise Institute, a wooden pavilion in which they explored the subtleties of cinematic language through binaural sound. At the Münster Sculpture Project 1997, she invited participants to trace her footsteps around the city, delving into its history while listening to strange vignettes on walkmans. Cardiff first rose to prominence with her audio walking tours. It engages the imaginations of visitors and absorbs them in fictional worlds. The narrative impetus propels their multi-media installations. Janet Cardiff and George Bures Miller: The House Of Books Has No Windowsġ5 October–18 January, Modern Art Oxford Canadian artists Janet Cardiff and George Bures Miller like telling stories.
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